I haven’t seen The Town, so I can’t really comment on Jeremy Renner’s performance. It doesn’t suck to be him, these days, with two nominations in as many years.
Mark Ruffalo doesn’t seem like he belongs in this group. The Kids Are All Right is a wildly overrated movie that could have made some very interesting observations, but instead, chose a path riddled with clichés. His performance seems like one I’ve seen him give in more than one other movie, say You Can Count on Me, for example.
All the way through Winter’s Bone, I kept wondering where I’d seen the guy who played Teardrop. It wasn’t until I was able to look him up on IMDB that I was reminded of Me And You And Everyone We Know, an oddball indie romance. Look him up yourself, and you’ll no doubt be nodding at the list of movies you’ve seen where he’s one of these supporting characters who looks like he might have been plucked off the street – which is a compliment, because he’s so authentic.
In Winter’s Bone, he plays the unpredictable uncle of Jennifer Lawrence’s Ree. He’s a man who’s as likely to punch his niece in the mouth as to hug her – it just depends on how he’s approached. Hawkes perfectly blends paranoia, anger, larceny, and a sense of primal justice to become a very unlikely hero.
I’d love to see him walk away with the Oscar, but I’m afraid the numbers are against him.
Much has been written about Christian Bale’s performance in The Fighter, and it is a very impressive performance – almost showy in that old-fashioned, 1950’s way where performances often veered towards the over-the-top (see Paul Newman in Somebody Up There Likes Me).
His preparation to play Dicky Eklund reminded me of the stories about DeNiro’s preparation to play Jake LaMotta in The Raging Bull – exhaustive observation of physical tics and habits, drawn from hours of conversation and note taking. It’s a dedication and work ethic that is tiring just thinking about it, and it has paid off huge for a guy who wasn’t even the first choice for the role.
Later tonight, Brad Pitt and Matt Damon might be wondering, “What if…?”
I have a feeling that Geoffrey Rush is going to sneak in and walk away with the Academy Award tonight. He’s marvelous in The King’s Speech as Lionel Logue, the man who not only shows King George VI how to overcome a horrible stutter, he shows him how to be a friend.
It’s a well written character that gives Rush much room to flesh out a three-dimensional man who, despite his failure a Shakespearean acting is a highly skilled therapist. In a fine monologue, Rush defends his lack of formal training with an account of his wartime experience helping shell-shocked World War I veterans regain their speech after witnesses unspeakable horrors.
Choosing a best performance in any category is really a fool’s errand, especially with the performances of Rush, Bale, and Hawkes. Give it to Rush by a nose.